01
Before you arrive
We research your market, study what's converting in your category, and write every script around your actual offers. You approve them by email. Nothing on the day is improvised.
Ivry StudioDallas–Fort Worth
You built a serious business. Your ads should look like it.
Ivry is a DFW studio where owners film once — scripts written for your market, cinema camera, studio light — and leave with a full quarter of advertising, published and managed. You never touch an editing app. You never write a caption.
Scene 01The problem
You know you should be the face of the business.
You've watched a competitor post something average and thought I could do that better.
Then you looked at what you'd actually have to film — the script, the lighting, the editing, the posting — and didn't.
The bottleneck was never the ad budget. It was everything around the camera.
Scene 02The session
One visit. Everything handled.
02
In the studio
You read from a teleprompter. Cinema camera, broadcast audio, studio lighting. You don't memorize, improvise, or direct — you read, and we handle the rest of the room.
03
The next 90 days
Your ads go live within the week, and we run them for the quarter — rotating creative before it fatigues, cutting what loses, scaling what works. One report a week. You're not asked for anything else.
Scene 03Selected work
Filmed here. Run by us.
The part nobody tells you: looking professional on camera changes how prospects treat you before you ever speak. Consults show up already sold.
Scene 04What owners say
I walked in dreading it and walked out an hour later. The scripts were already written, the teleprompter did the work, and the ads were live before I'd thought about it again.
I'd paid two videographers before this. Both handed me files I never used. Ivry is the first time the footage actually went anywhere — and someone was accountable for what it did.
Scene 05The fit
Built for
- Attorneys
- Surgeons and aesthetic practices
- Multi-location retail and service
- $1M+ in annual revenue
- Owners who are the face — or should be
Not built for
- Businesses under $1M
- Anyone who wants raw footage delivered
- Faceless brands
- Anyone shopping for the cheapest option
Scene 06Before you book
The things everyone asks.
I'm not good on camera.
Nobody is. That's what the teleprompter and the takes are for. You'll read words you already approved, and we'll run it back until it's right. We've never had a session that didn't produce what the quarter needed.
What am I actually paying for?
The quarter. Publishing, testing, creative rotation, spend management, and reporting. The filming is the part that's easy for us — the 90 days after it is the part that's hard for you.
How is this different from hiring a videographer?
A videographer delivers files. We deliver a managed quarter. Nobody has ever measured whether their footage converted, because the person who shoots it is never the person spending against it.
I already have someone running my ads.
Keep them. We can hand off creative only. Most owners consolidate within a couple of months — not because we push, but because the person who wrote the ad usually knows best how to run it.
What if I don't like the scripts?
You approve every one before you drive over. Unlimited revisions before the session, none after — that's how a session stays a session instead of a production day.
What does it cost?
One flat fee, paid once. It covers the session and the 90-day initial term of advertising after it — no monthly bill, no subscription. Less than one bad hire and less than most single-day production shoots. We'll give you the number on the call.
On locationDFW
Stage A.
Dallas–Fort Worth.
Free parking.
Final sceneBook
Come in once. We'll handle the quarter.
One flat fee, paid once. It covers the session and the 90 days of advertising that follow it.